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The sound with which Tanz Ohne Musik has recently stirred up interest, is on offer on the new album Infinity: Pared to the bone Angst Pop songs — radical minimalism in text and tone. He channels its raw power to driving dance hits as well as moody tracks. With unerring accuracy he arranges his sparsely selected sound elements with undercooled vocals, and always ends in melancholia, but is unpretentious and honest, that goes without saying.

DREAM HOLD AWAKE Official videos by Luna: Silence Is Golden: vimeo. Streaming and Download help. Report this album or account. The V-th full length from our ritual ambient side-project, released by Red Cavity Records.

Enheartened by ARM. These are just two of the legends of how Kayle came to walk among mortals. Gleaming in jagged warplate, she was a golden warrior goddess from a strife-torn world in search of allies to fight an epic war against the diabolical hordes of her faithless sister.

Planet Earth had failed to produced warriors of mettle, so she travelled to Runeterra in search of warriors of metal. The depthless sorrow of these operatic arias pierced the hearts of all who heard them and her listeners were frequently overcome with such overwhelming melancholy that they simply dropped dead at the end of her performance.

But since each song was typically many hours long, they had time enough to put their affairs in order before death took them. Yet for all the heart-rending emotion contained in her lyrics, none of her audiences could truly understand the depths of her woes, no one could hear the sorrow of her existence without immediately perishing. As the rock of the mountain cascaded down, the band fled to the far corners of Runeterra to escape the wrath of Freljoridan battle queens and the raft of inevitable blood feuds.

Karthus pitched up in Bilgewater, earning a crust as a hooded reciter of funeral dirges. This had an unexpected health benefit to natives of Bilgewater, as people started looking after themselves rather than have to put their families through such an ordeal.

So Karthus toured the most squalid and foetid dive bars to sing at the drunken wakes of murdered pirates instead - what with grim dirges being a vast improvement on sea-shanties.

A slow descent into madness and obscurity beckoned until the radiant form of Kayle arrived in Bilgewater. She heard the depthless well of misery in his despairing lyrics and knew Karthus alone could understand her own sorrow.

What followed was a drunken woe-off, a night of debauchery, gothic poetry and operatic singing that saw the men and women of the Slaughter Docks hurl themselves into the monster-filled ocean rather than listen to their maudlin duets. After all, shared woe is better than solitary woe. The hooded and hunched figure of Yorick headed south from the bloody carnage of the Freljord and did not stop until he reached the sun-bleached wastes of Shurima.

Sunlight was something new to Yorick, something he avoided for fear of people recoiling from a face not even a mother could love. He helped excavate the tombs of long-dead emperors, which allowed him to spend a great deal of his time in the darkness underground - something his fellow diggers certainly appreciated. His unique bass was the perfect tool to crush the soft rock of Shurima, but often had the side effect of liquefying the sand to a degree where many of the workers excavating the tombs were buried alive.

To many of these buried souls, this was preferable to enduring another moment of conversation with a man who could literally bore rock. After being forcibly ejected from dig sites all across Shurima and months spent deep underground with long-dead princes, Yorick decided that he too desired to be buried in the sands.

He dug deep into the bedrock to craft his own shadowed mausoleum, and there he interred himself within a lightless tomb, intending to pass the aeons in splendid isolation. And so Yorick slept beneath the desert until Karthus and Kayle prised open his tomb. The two singers did nothing to disabuse Yorick of the idea that aeons hadpassed and that all who desired him dead were, themselves, now dead. The entombment of Mordekaiser beneath the mountain of Freljord had inspired Sona, and while the other members of the band split to the far corners of Runeterra in despair, she was consumed with the desire to craft soaring, symphonic rock operas.

Digital Download Purchase and download this album in a wide variety of formats depending on your needs. Your browser does not support the audio element. Copy the following link to share it Copy. You are currently listening to samples. Young Buck. Ashanti Floyd. I Ain't Fucking Wit U! Album Version Edited.

Dion Jenkins. Get Buck Album Version Edited. Hold On Album Version Edited. Dawaun Parker. Haters Album Version Edited. Money Good Album Version Edited. Ced Keyz. Funeral Music Album Version Edited. Pete Wentz's lyrics are oftentimes resentful, full of fame-induced angst, and really emphasize his need to drive home his position that stardom has not changed the band. So it's in weird contrast to these sentiments that Jay-Z is the one opening the album and calling out haters who said FOB would fail.

The glorification of their celebrity abruptly switches into Patrick Stump stating pleading? So the results are hit-and-miss. The Maroon 5-ish "I'm Like a Lawyer It's ill-fitting, a notion that continues in cuts like the soft rock piano of "Golden" and the airy "The After Life of the Party.

So it's not to say the pop explosion that is Infinity on High is all bad. Even the studio extravagances -- multiple producers Babyface and Butch Walker handle a few outside Neil Avron and decadent layers of horns, string sections, and choirs -- don't detract from its overall enjoyability.

Yet unlike My Chemical Romance, who knew exactly what they wanted in the grand theatrics of 's Welcome to the Black Parade and completely went for it without apology, Fall Out Boy is at odds. Previously, they could easily skip around with pop baggage, hardcore tension, cunning wordplay, and infectious melodies without losing their edge.

Now they just seem too self-aware. Don't misunderstand: once Infinity on High sinks in, it's indeed a fun record. But for a band that was once so self-assured and able to utilize its talents so compellingly, the album is regrettably haphazard. Fall Out Boy may hate people who "dissect us 'til this doesn't mean a thing anymore," but in trying to appeal to all of them, they lost something unique along the way. Listen to over 70 million songs with an unlimited streaming plan.

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